Tuesday, September 29, 2009

PORTRAITS; NOW WHAT?


I have people all over my house. Mad Sally hangs above the fireplace and the Fisherman's Wife stands on the floor below. Three odd looking men watch me brush my teeth, a rigidly correct Presbyterian sits in judgment of living room activity and Mario Cuomo in clown face is downstairs along side a native american indian lady swallowing the sun. These are all works by Upstate New York artists and while other paintings have come and gone through our various homes, I still find these pieces interesting, mysterious and funny.

Yesterday the UPS man delivered a big box with a portrait of my sister Gaynell. It is none of those things. Gaynell died when she was thirty three years old. Her husband commissioned this painting and now, after forty years, he's sent it to me.

So I've looked up some information and history of portraiture. I already knew that once, historically, painters were only allowed to paint the likeness of royalty or heavenly beings. In some cultures, self-likenesses are still considered bad luck and even the Bible warns of "graven images." Still, humans attempt to re-create themselves with a visual record of their life, to somehow leave an immortal record behind that reveals the truth about themselves, that says "remember me always."

The portrait of my sister is badly painted. Paint is flaking and it looks nothing like her. It doesn't make me remember her kindly, with love. It only makes me feel sad.

So now what? What do I do with this thing? Why does it always feel wrong to destroy a work of art even if it's bad? I can't begin to tell you how many times people call me with the question: "we're downsizing....moving....my parent died and left me...." with the climax "what do I do with this ....painting/print/sculpture?" Face facts. Most of the art we accumulate has very little value to anybody else. Few of us are lucky enough to have picked up that Picasso for a few dollars in a garage sale that everybody else overlooked.

So I repeat the list of possible solutions that usually start and end with "donation." But the real question is : where is the graveyard for unwanted artwork?







1 comment:

Richard Margolis said...

Shirley,
Thank you for, again, posting your thoughts here. I appreciate the effort and enjoy the conversation. You are contributing a lot, as you have for years, to the (arts) community.
I can never predict what you will write about, and when I begin an essay have no idea where it will go or how it will end. I like that.