If ever an art show was bone crushingly boring, it is this year's Finger Lakes Exhibition at Memorial Art Gallery in Rochester, NY, my home town, and I fear I am partly to blame. I have nothing whatsoever to do with the current art scene - here, there or anywhere! But I DID and during the 1980s when I ran an art gallery and the 1990s when I wrote art criticism, I fought the battle for ART - capital letters. It looks to me a little like those aesthetes - me among them - won the war but lost the spirit along the way.
I remember one of the first Finger Lakes exhibits I ever saw in the early 1970s. The gallery bulged with the most remarkable collection of - EVERYTHING! Amazingly quilted and hand dyed jackets hung next to water color flowers that nearly knocked you off your feet, so real and detailed that they emitted flower smell. Furniture like I'd never seen before (nor had anybody else! Wendell Castle was still mostly unknown.) elbowed it's way into space between metal sculpture and lord almighty! the ceramics!
About a million prizes were awarded, a special one for ceramics, I think another for wood working, another for photography. Go down the media list then throw in some all-purpose, non-gender awards and you get the idea. It was a visual free-for-all and what fun it was. I was overwhelmed and in love and that experience helped shape how I would spend my adult life.
Then "we" started defining "art vs. craft" and "real art vs. hobbies" and so it went until we honed and polished our way to the level of sophistication I see now, a tiny collection of mediocre stuff that would never inspire anybody to do anything! I've written before that any judged show is merely a mirror of the taste of the judging team, yadda, yadda,yadda. And certainly, it would do none of us any good to see the gallery packed with junk - painted ducks et.al. But really folks, when you have somewhere over 500 artists entering the exhibit and only about 3 dozen accepted, exactly what are we out to prove?
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